| 1 |
Three-Page Sonata, for piano (& optional glockenspiel), S. 89 (K. 3B15): Movement 1: Allegro Moderato |
| 2 |
Three-Page Sonata, for piano (& optional glockenspiel), S. 89 (K. 3B15): Movement 2: Andante |
| 3 |
Three-Page Sonata, for piano (& optional glockenspiel), S. 89 (K. 3B15): Movement 3: Allegro - March Time |
| 4 |
Study No. 6: Andante, etude for piano, S. 94 (K. 3B17) |
| 5 |
Study No. 7: Andante cantabile, etude for piano, S. 95 (K. 3B17) |
| 6 |
Study No. 8: Trio (Allegro moderato--Presto), etude for piano, S. 96 (K. 3B17) |
| 7 |
Study No. 9: The Anti-Abolitionist Riots in the 1830s & 1840s, for piano, S. 97 (K. 3B17) |
| 8 |
Study No. 15: Allegro moderato, etude for piano, S. 100 (K. 3B17) (incomplete) |
| 9 |
Studies Nos. 16 and 19, for piano, S. 101/103 (K. 3B17) |
| 10 |
Study No. 23: Allegro, etude for piano, S. 107 (K. 3B17) |
| 11 |
Set of Five Take-Offs, for piano, S. 122 (K. 3B16): No. 1, 'The Seen and Unseen' |
| 12 |
Set of Five Take-Offs, for piano, S. 122 (K. 3B16): No. 2, 'Rough and Ready et al and/or 'The Jumping Frog' |
| 13 |
Set of Five Take-Offs, for piano, S. 122 (K. 3B16): No. 3, 'Song Without (Good) Words' (Melody in F and F flat) |
| 14 |
Set of Five Take-Offs, for piano, S. 122 (K. 3B16): No. 4, 'Scene Episode' |
| 15 |
Set of Five Take-Offs, for piano, S. 122 (K. 3B16): No. 5, 'Bad Resolutions and Good One' |
| 16 |
Study No. 20: March (Slow Allegro or Fast Andante), etude for piano, S. 104 (K. 3B17): Study No 20, for piano |
| 17 |
Study No. 22: Andante maestoso--Allegro vivace, etude for piano, S. 106 (K. 3B17): Study No 22, for piano |
| 18 |
Study No. 21: Some Southpaw Pitching, etude for piano, S. 105 (K. 3B17): Study No 21, for piano "Some South-Paw Pitching" |
| 19 |
Evocations, chants (4) for piano: I. Largo (To Harriette Miller) |
| 20 |
Evocations, chants (4) for piano: II. Andante con fantasia (To John Kirkpatrick) |
| 21 |
Evocations, chants (4) for piano: III. Moderato appasionato (To Charlotte Ruggles) |
| 22 |
Evocations, chants (4) for piano: IV. Adagio Sostenuto (To Charles Ives) |
